Through a variety of media that often culminates in installation, Weber explores the nuances of identity-making, and presents layered and compounded environments that bring this very issue to light. The artist often creates collages with materials that primarily function as bodily extensions such as synthetic hair, nails, and clothing. In this way, she takes a closer look at markers of femininity and presents these fragments as pieces of a whole. As if suspended in time, her compositions contain a whirlwind of representations, laid in front of us all at once. Weber recurrently uses self-portraiture within these collages as well, in an endeavor to simultaneously support but also challenge the idea of individuality by disseminating her own image. Her layered sculptures are shaped into recognizable objects that inhabit and mimic domestic spaces, furniture, pillows, and clothing hangers all comprised of these accesessorial assemblages.